![]() Finally, I contend that such field of study has produced sophisticated insights about media and culture that needs yet to be fully recognised in Anglo-Saxon academia, while I also point out some urgent questions regarding the future of this rich intellectual tradition. To illustrate my argument the most relevant examples of telenovelas research in Latin America are critically reviewed. I argue that the specific configuration of media and cultural studies in Latin America is essential to the understanding of both the conditions in which the study of telenovelas emerged, and the subsequent results of these studies in relation to questions about the politics of TV production, consumption, economics and aesthetics. Firstly, it sketches how some theoretical approaches to the study of popular culture, -particularly the cultural place of melodrama in everyday life- have set the foundations for a heterogeneous and complex field of study on televisual melodrama. This chapter examines how the study of telenovelas in Latin America has been largely determined by the specificity of the field of media and cultural studies in the region. Ugly Betty both complements and counters cultural stereotypes concerning Latino/as in the United States. The show is an immigrant story giving new perspectives to sensitive issues of illegal immigration and affirmative action. The series depicts a diverse world through a multi-racial cast of characters belonging either to the white majority or Latino, Asian and African minorities. Although Mexicans are not the largest Latino group in New York City, they are the fastest growing minority there. New York City, where the show is set, represents a geographical and cultural context for choosing a Mexican-American family as the archetype of all Latino/as in the United States. Although she does not represent the mainstream American beauty standards, the qualities Betty embodies empower Latino viewers. The show features the Mexican-American character of Betty Suarez as the main protagonist. "¿Ya viste que nuestra querida aparece en el video de "Rompecorazones" de ¡Pásale a verlo!" (Tweet) – via Twitter.This article examines the portrayal of Latino/as in the American TV series Ugly Betty, which is based on the Colombian telenovela format. ^ "Personajes de 'Guerra de Vecinos': quién es quién en la serie"."Novio de Elyfer Torres defiende a la actriz tras el polémico cambio de look de su personaje". ^ "Elyfer Torres se integra al elenco de Nicky Jam: La Serie"."Elyfer Torres deja atrás a "Betty en Nueva York" para participar en "Selena" ". "Elyfer Torres, en busca de ser una mejor actriz cada día". ^ "Primera foto de Elyfer Torres como 'Betty, La Fea', nueva versión de Telemundo".Archived from the original on 2 November 2019. ^ a b c d "Elyfer Torres, así es la sexy actriz 360 que da vida a Betty en NY".later she specialized in acting for cinema at the renowned New York Film Academy in Los Angeles returning to Mexico to continue her training at the CasAzul of Argos school, and finally, she finished her classical dance training at the Royal Academy of Dance in England. Torres began her artistic training as a child taking workshops at the Centro de Educación Artística of Televisa. Although previously she stood out for series like La rosa de Guadalupe (2012–2017), La Piloto (2018), El secreto de Selena (2018), and Nicky Jam: El Ganador (2018). Her first major role was in the Telemundo telenovela's Betty en NY (2019). Elvia Fernanda Torres Pérez most known as Elyfer Torres (born 15 February 1997 in Mexico), is a Mexican actress.
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